David Emery Online

Hi there, I’m David. This is my website. I work in music for Apple. You can find out a bit more about me here. On occasion I’ve been known to write a thing or two. Please drop me a line and say hello. Views mine not my employers.

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The Dead Weather - Hand You From The Heavens

Jack White + Alison Mosshart (from The Kills) – it sounds as good as you might think it would.

More information here: http://www.thedeadweather.com/

And you can buy the track on iTunes as well: http://tinyurl.com/deadweatheritunes

The Dead Weather – Hand You From The Heavens

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Pitchfork Redesigns

Obviously nicer then their previous old-school design, but it’s all a little generic, isn’t it? Take away the logo and you’d have no clue that it’s Pitchfork – it looks like a slightly inferior Drowned In Sound.

Also, they’ve taken the nicely designed pitchfork.tv and genericised that too, taking their embeded video player – which was my favourite embeded video player, due to its simplicity (yes, I have favourite embeded video players…) – and ruining it in the process (it even autoplays if you embed it!). Oh well…

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"I never felt magic crazy as this..."

I spent a large chunk of Tuesday in a car with a friend driving up to Manchester. He and I were at the University there in the 80s and we were driving up to spec out a project for later this year. He’s a record exec (of course! which of your so-called friends aren’t? I hear you crow). His job requires him to be constantly in contact with people who work with and for him and so I sat in the passenger listening to his speakerphone conversations: lawyers telling him how he was “their guy” and how and they honestly wanted to sign to him, American executives telling him how genuinely excited about their projects they were , new employees telling him how sincerely they were looking forward to their job… It was a veritable sea of love and sincerity. It reminded of my A&R days and how so much of what got people out of bed depended on passion.

Not linked to for any massive ‘point’ that it makes, but because it’s just a nice read.

Also, I feel duty bound to point out that Adele isn’t on a major, and doesn’t have wads of cash behind her (well, she does now but that’s because she’s earned it).

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Visa 'flow' TV ad

Compare and contrast:

Visa Advert:

Rjd2 – Work It Out Video:

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The Big Pink: Velvet

This is the most exciting new song I’ve heard in so very long; The Big Pink are – finally – a proper, interesting, innovative British band, which it feels like we haven’t seen in ages:

Play it again and again and again until it gets under your skin.

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End Game: Spotify on the iPhone

Spotify, the cloud-based music service whose catalog includes all of the major labels and lots of indies, is coming soon to the iPhone. […] This is all assuming that Apple/AT&T and other wireless gatekeepers permit the service. Apple has been notoriously resistant to the idea of music subscriptions.

I don’t see why Apple would refuse a potential Spotify app considering they have not only accepted the Last.fm app – which does similar things – they’re using it on their TV ads. However, with the state of wireless connectivity the way it is at the moment – in central London at least – I’m not going to get too excited just yet. I’ve had a go at using assorted streaming music apps on my iPhone and unless you have access to WiFi for at least some of the time they don’t well enough to get mass adoption. Most people aren’t going put up with long buffer times and drop outs half way through songs.

On a slightly unrelated note I find it very strange that in the Spotify desktop app (and replicated in the forthcoming iPhone app) there’s no way to ‘browse’ the music, only to search. I pretty much live in the browse mode in iTunes, and it seems like a much more natural way of getting round a large music catalogue – typically when I’m faced with a new Spotify window I get paralysed by choice; I know there’s practically everything there, so instantly I can’t remember one band I want to listen to to type in the search box.

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