David Emery Online

Hi there, I’m David. This is my website. I work in music for Apple. You can find out a bit more about me here. On occasion I’ve been known to write a thing or two. Please drop me a line and say hello. Views mine not my employers.

Signup to receive the latest articles from de-online in your inbox:

Spotify says hello to the iPod

You’ve been telling us how much you love discovering, sharing and talking about music in Spotify - and you’ve created well over 200 million playlists to prove it. But you’ve also said you’re listening to a huge amount of music on your iPods, and that getting your Spotify playlists onto them as MP3s has been a serious hassle, forcing you to juggle multiple music players. That’s until now…

Spotify are pretty clearly trying to supplant iTunes as peoples music player of choice which is no bad thing – Apple could really do with some decent competition in this regard, as iTunes has turned into a bloated mess over the years.

I’m intrigued by their download store offering as well, which obviously pares nicely with their new limits on how many times you can listen to tracks if you’re not a premium offering. The focus on bundles of tracks – ostensibly to allow purchasing of playlists – doesn’t seem like a feature that the majority are going to be interested in, however; sounds cool in theory – “people can share playlists and buy them” – but iTunes has had that feature (albeit without the pricing incentives) for years without much success.

It does also strike me that this is a slightly backwards move for Spotify, all in all – dealing with actual files and having your own library was what they originally rebelled against; I guess this is just a reaction to the constraints they’re in, but it certainly dilutes the brand a fair bit.

Visit ➔

The “book” is dead

But more to the point, it would be full of piracy-related terms because that’s what people search for. Google’s suggestions come from actual searches. It’s a mirror onto the world, descriptive not prescriptive. If you don’t like how the world looks in the mirror, don’t blame the mirror.

Interesting post on how the book industry is now facing up to digital piracy, much in the same way the music industry has (or hasn’t, depending on your point of view). It also shows how much work Google needs to do with its search results – not to eliminate copyright infringing results, as that’s practically impossible, but to eliminate the huge amount of fake sites that clog up most results pages.

Visit ➔

later.fm

With later.fm you can bookmark music while you browse and listen to it later.

I love the Internet – I’ve been thinking about this very idea for a few weeks now, to the point where I was seriously considering trying to make it myself (which would have never worked) and lo and behold someone’s already made it.

Visit ➔

Spotify takes the axe to its free service – can it now claim to slash music piracy?

However, this feels like a bad move. In one feel swoop Spotify is reducing its ability to say, with much credibility, that it is out to reduce the amount of piracy. If you can only listen to 10 hrs, and then only five times to one track, how can Spotify claim that it can significantly eat into the massive amount of file-sharing out there?

Obviously there’s little positive to be drawn from this move, but it was inevitable that Spotify was going to have to make some concessions to be able to launch in the US. The success they’ve had in Europe has made those discussions pretty difficult I imagine, as you’ve got the majors trying to weigh up whether they want to let the genie out of the bottle again.

Personally, I think that the limiting hours aspect of this makes sense, but I’m less keen on the pre-track limits as it just makes the whole offering a bit too complicated from a consumer point of view – I can see the 10hr limit making people upgrade, but the per-track limit making people just listen to something else.

Visit ➔

Lockers vs Streaming Services

I don't get the idea of music locker services like the one Amazon just announced. If I'm going to stream music from the cloud, why should I continue to buy files and collect them? I've been a Rhapsody subscriber for something like 11 or 12 years and although it has taken a while to get used to, I vastly prefer subscription streaming services over file based music. I've just stared using rdio on my Android and on the web and I love it too. I've used Spotify and it is also excellent (once it is fully licensed in the US).

Amazon’s service is certainly interesting, but if you’re going to pay for a cloud-based music service why not use Spotify?

Personally right now – and this makes me sound pretty backwards, I know – I’m quite content with neither; having music on my iPhone which I have with me all the time eliminates the need for a locker-style service, and I pretty much just listen to new music so Spotify isn’t that useful.

Visit ➔

The Universal Sigh

The Radiohead album ‘The King of Limbs’ will be available for purchase in all good record stores everywhere on Monday 28th March, except in the United States of America and in Canada, where for reasons beyond the purview of this writer it will be available from Tuesday 29th March. On VINYL! On COMPACT DISC! As a DOWNLOAD!

To commemorate this momentous occasion, Radiohead have produced a newspaper which will be given away, free, gratis, without cost to the consumer by accredited vendors from a multitude of locations WORLDWIDE!

This is what I’ve been working on for the last few weeks.

Should be a lot of fun on Monday – I’m particularly excited to see how the photos element turns out. I’ll blog about it in more detail in due course…

Visit ➔

Rebecca Black Means The (Internet) Fame Game Has Changed

Earlier today I had lunch with a musician friend who was lamenting the trouble her band was having booking shows in San Francisco. When I asked her how she planned on getting the word out she said, “Get a publicist, or have a video go viral.”

I love the way it’s just ‘have a video that goes viral’ as if that’s something you can just ‘do’. The only thing you can control is whether the video – or your music, for that matter – is any good, so how about focusing on that?

Visit ➔

Piracy doesn't fund the mob or terrorists

A scholarly report funded by the Canadian government and the Ford Foundation investigates the alleged link between copyright infringement and terrorism and finds none. Basically, counterfeiters can't compete with free, and so there's no money in it.

I imagine that the counterfeit market is far more price sensitive then the legitimate market.

Visit ➔