Living in the Age of Art vs Content
So, Converse is opening a recording studio in Williamsburg, and nobody seems entirely sure what to make of it. Is this a well-earned payday for struggling musicians? A shameless corporate buyout of the last remaining scraps of “indie integrity?”
A really interesting article on the whole endless “art vs commerce” debate (wherein art is reduced to faceless “content” used to promote stuff you can buy). A bit too deep in it’s own blog hole though – Pitchfork doesn’t matter nearly as much as they think it does – but worth a read nevertheless.
Visit ➔Twin Shadow - Slow
4AD introduces Twin Shadow, the latest addition to the 30 year-old label, rubbing shoulders alongside the likes of Ariel Pink's Haunted Graffiti, Bon Iver, Deerhunter and The National. Initially discovered by Grizzly Bear's Chris Taylor, 4AD will release the debut album Forget on November 15th.
This goes straight in there for me as one of the debut albums of the year (alongside Sleigh Bells). Has a great groove to it, and I mean that unironically.
Visit ➔Ye Gods! Brand new 7 track British Sea Power EP!
British Sea Power release a generous seven-track EP on Monday 4 October. The Zeus EP is the band's first release since The Man Of Aran soundtrack from 2009 and acts as a wild and wunderbar-wonky precursor to the band’s fourth studio album, set for release in 2011.
Love this track (seems to be at least 3 songs smooshed into one):
Visit ➔Twitter power: how social networking is revolutionising the music business
...Sites enable smaller labels and less mainstream artists to spread the word about their talents, said David Emery of Beggars Group, a collection of independent record labels. "Word of mouth has always been incredibly important to us and now it's easier than ever to get the word out there," he said. Different networks play different roles, he added. "Twitter is great for artists interacting directly with fans, like MIA, who has millions of followers and will do things like make a video on her phone and post it on Twitter. That is so much more powerful than traditional marketing.
A good tie in to the whole Kanye on Twitter stuff.
Visit ➔Kanye On Twitter
This is important.
Historically, there’s been a buffer between star and audience. And this buffer was managed by professionals who’d seen it all and told you how and when to play. It was like everybody with a media profile had a coach. And if you disobeyed him, you were booted from the team.
But now, through the magic of the Web, through the magic of Twitter, a celebrity can speak directly to his audience, can tell his side of the story, sans the reinterpretation and the agenda of the media.
Kanye on Twitter has been really interesting this past few days.
He ‘gets’ it.
Visit ➔iTunes Says Artist Profiles On Ping Invitation Only
We asked Apple to explain and just heard back from a spokesperson that "artist profiles were launched by invitation, but we'll keep adding more and more." No information was provied on who is handing invites or what criteria they are using. But bands do have another option ...kind of. "Any iTunes user can create a profile on Ping, artist or otherwise," reminds Apple.
As a follow up to my earlier post, it does indeed seem to be the case that you have to go through the existing iTunes Connect system that labels/distributors have with Apple.
Interestingly, the recommended artists section on Ping is now suggesting 31 artists, along with the 6 I’m following already, and it’s going up day by day and adding new pages to the box.
Which suggests to me that as of right now, there are only 37 artists active on Ping.
Visit ➔Ping!
It’s been a long running cliché that Apple have never really ‘got’ the web, and never really ‘got’ social networking either – it’s been something they’ve been happy to ignore, letting their products do the talking without friending, liking and status updating.
Until now:
Introducing iTunes 10 with Ping
Ping takes (read: rips off and/or steals) its features from the holy trinity of incumbent social network sites, Facebook, MySpace and Twitter. The whole thing feels quite Facebook-like, and indeed it does strike me that had the two companies worked together on something that would have been far more interesting (with Facebook getting a decent music offering via iTunes, and Apple getting a decent social network) but alas instead we just get artist pages which are similar to Facebook pages, and activity streams that are obviously very familiar (and hence quite Twitter like as well).
It’s MySpace (and to a lesser extent, Last.fm) that’s more of a target though, as they’re increasingly repositioning themselves as a music-focused site (now that everyone does their social networking on Facebook and Twitter). Ping could well be the final nail (of many nails) in their coffin.
That’s not to say that Ping’s particularly good, however. It has a certain...
Read more ➔Arcade Fire meets HTML5
What would a music experience designed specifically for the modern web look like? This is a question we've been playing around with for the last few months. Browsers and web technologies have advanced so rapidly in the last few years that powerful experiences tailored to each unique person in real-time are now a reality.
File under “mind blowing” and “why didn’t I think of that”.
It reminds me of when Google first released Google Maps, playing around with the draggable maps and wondering how the hell they did it without using Flash. A little light bulb went off in my (and judging by the buzzword-ification of AJAX, a fair few other peoples) head about the possibilities it revealed were possible.
This is just like that.
Visit ➔Arcade Fire's Synchronised Artwork
Morisset has worked with designer Caroline Robert to create a digital artwork that appears when the album is played on mp3 players like the iPod or iPhone. The work deliberately echoes the pleasures of old vinyl record sleeves, where the song lyrics were often written out in full. Each track on the album has an individual image that appears on the iPod screen when it is played, with the lyrics of the song then appearing on the screen as they are sung.
Well this is very clever – you’ve been able to embed time-specific artwork in AAC tracks for ever (and is used a lot in podcasts) but I’ve never seen anyone do anything interesting with it before.
Visit ➔Sleigh-ed In Flame
...But actually this is one of the most forward-looking electro-guitar pop albums of the year (by turns it mixes Atari Teenage Riot with MIA, the Mary Chain and industrial hip-hop beats). It seems to constantly push you to the edge of your senses and then reels you back in. It wants to give you a headache and then sooth your brow.
I love the Sleigh Bells album – got to be not only the best debut of the year so far but one of the best albums of 2010 full stop.
Visit ➔
David Emery Online