David Emery OnlineScribd CTO: “We Are Scrapping Flash And Betting The Company On HTML5″
Tomorrow, online document sharing site Scribd will start to ditch Flash across its tens of millions of uploaded documents and convert them all to native HTML5 Web pages. Not only will these documents look great on the iPad’s no-Flash browser, but it will bring the richness of fonts and graphics from documents to native Web pages.
Impressive stuff – I’m interested to see what the markup is going to be like (I’ve never seen a machine write good markup).
Visit ➔Indie music mogul: The net's great for us
You read the industry is 60 per cent of the size it was ten years ago. But that 40 per cent that has gone is almost entirely the cream at the top. Records that sold two million now sell 500,000 - that's where that's gone. At the same time it's easier to sell those slightly smaller levels. [...] 99 per cent of what you hear about artists who can survive on their own playing live is crap. It's recorded music that drives success in other areas. Something like Enter Shikari was clearly a contrary example, and Mumford and Sons are something of an exception too - they built a large live following before putting out records - but there are very few exceptions.
A great read, and dead on the money (of course I would say that, as Martin’s my boss).
Visit ➔Pitchfork.tv: The National - Terrible Love
The Brooklyn rockers bring their big sound to an abandoned castle overlooking New York's Hudson river.
This track is just astonishingly good live:
Visit ➔Understand The Web
Perceptions of the web is changing. People are advocating that we treat the web like another application framework. An open, cross-platform, multi-device rival to Flash and Cocoa and everything else. I’m all for making the web richer, and exposing new functionality, but I value what makes the web weblike much, much more.
A must-read article on the state of the web today; I could quote practically every paragraph.
I remember a while back Khoi Vinh lamented that there are no ‘masterpieces’ on the web; no culture-defining works that will last the test of time. I’m sure he was referring to design when he wrote it (the particular post escapes me), but that’s a fallacy that touches on the same points made in this article; the web isn’t like print graphic design, just like TV isn’t like theatre or photography isn’t like painting. The same is true of the web and applications – they’re similar but different mediums.
I’d argue that YouTube is a masterpiece just as much as the Mona Lisa or 2001: A Space Odyssey. It’s a totally different kind of thing, and that’s the whole point.
Visit ➔HP buys Palm
HP has just announced that it's acquiring Palm to the tune of $1.2 billion, which works out to $5.70 per share of Palm common stock. The deal is planned to close by July 31, which marks the end of HP's third fiscal quarter of the year. Current Palm CEO Jon Rubinstein is "expected to remain with the company,"
A very smart move for HP; they can’t be happy being shackled to Microsoft for operating systems and WebOS is a great OS in the making.
Interesting also that this comes the day that the Apple WWDC is announced, which for the first time has abandoned having a Mac app design award, instead focusing on iPhone and iPad awards instead. Mobile OSs are the future – both Apple and HP know it.
Visit ➔Spotify Goes Social
In its newest app update, and the biggest since launch in 2008, Spotify users will now be able to connect to their Facebook page and import friends from their profile who are also registered Spotify users. Connected friends will become visible in the Spotify browser, and this opens up a whole new landscape of interaction and activity which can now be published simultaneously to users’ Facebook profiles and within the Spotify browser in the new feed section.
The social features in the new version of Spotify are pretty nifty – I already know plenty of people that share playlists so this is a perfect enhancement to current user behaviour.
What’s far more interesting – at least from my point of view – in this update though is the ability for Spotify to play, store and manage local files. At the moment I pretty much don’t use Spotify because the large proportion of music I listen to isn’t on there (music from blogs, pre-release albums etc), so this new feature makes it a lot more attractive.
If I didn’t have to pay £10/month for the iPhone app I’d ditch iTunes…
Visit ➔M.I.A. - Born Free
Director : Romain Gavras
This is one of the best videos I’ve ever had the fortune of working with (although please note, it’s very NSFW and not for the faint hearted):
This is what happens when you make videos for the internet, not for the TV – it doesn’t need to be lo-fi, cheap and easy. If anything, it can be better.
Visit ➔British recorded music sales rise for the first time in six years
Record labels, which have faced a slump in CD sales and a long-running battle against internet piracy, experienced a rise in income from music sales from £916 million to £929 million in 2009, the British Phonographic Industry said.
The surprise increase marks the first time that the growth in income from digital services such as iTunes has outweighed the decline from sales of CDs. Income from digital singles and albums leapt by 53 per cent, to £154 million, while physical formats dropped 6 per cent to £740 million.
Yep, sure looks like the recorded music industry is dying, doesn’t it?
In a slightly less flippant way, what this article really shows is the pointlessness of looking at overall industry figures like this; acts like Susan Boyle and Lady Gaga skew the figures massively and hence obscure how the majority of the industry is doing. And a lot of it is doing alright, and has been doing alright throughout the ‘downturn’.
Visit ➔