David Emery OnlineHP buys Palm
HP has just announced that it's acquiring Palm to the tune of $1.2 billion, which works out to $5.70 per share of Palm common stock. The deal is planned to close by July 31, which marks the end of HP's third fiscal quarter of the year. Current Palm CEO Jon Rubinstein is "expected to remain with the company,"
A very smart move for HP; they can’t be happy being shackled to Microsoft for operating systems and WebOS is a great OS in the making.
Interesting also that this comes the day that the Apple WWDC is announced, which for the first time has abandoned having a Mac app design award, instead focusing on iPhone and iPad awards instead. Mobile OSs are the future – both Apple and HP know it.
Visit ➔Spotify Goes Social
In its newest app update, and the biggest since launch in 2008, Spotify users will now be able to connect to their Facebook page and import friends from their profile who are also registered Spotify users. Connected friends will become visible in the Spotify browser, and this opens up a whole new landscape of interaction and activity which can now be published simultaneously to users’ Facebook profiles and within the Spotify browser in the new feed section.
The social features in the new version of Spotify are pretty nifty – I already know plenty of people that share playlists so this is a perfect enhancement to current user behaviour.
What’s far more interesting – at least from my point of view – in this update though is the ability for Spotify to play, store and manage local files. At the moment I pretty much don’t use Spotify because the large proportion of music I listen to isn’t on there (music from blogs, pre-release albums etc), so this new feature makes it a lot more attractive.
If I didn’t have to pay £10/month for the iPhone app I’d ditch iTunes…
Visit ➔M.I.A. - Born Free
Director : Romain Gavras
This is one of the best videos I’ve ever had the fortune of working with (although please note, it’s very NSFW and not for the faint hearted):
This is what happens when you make videos for the internet, not for the TV – it doesn’t need to be lo-fi, cheap and easy. If anything, it can be better.
Visit ➔British recorded music sales rise for the first time in six years
Record labels, which have faced a slump in CD sales and a long-running battle against internet piracy, experienced a rise in income from music sales from £916 million to £929 million in 2009, the British Phonographic Industry said.
The surprise increase marks the first time that the growth in income from digital services such as iTunes has outweighed the decline from sales of CDs. Income from digital singles and albums leapt by 53 per cent, to £154 million, while physical formats dropped 6 per cent to £740 million.
Yep, sure looks like the recorded music industry is dying, doesn’t it?
In a slightly less flippant way, what this article really shows is the pointlessness of looking at overall industry figures like this; acts like Susan Boyle and Lady Gaga skew the figures massively and hence obscure how the majority of the industry is doing. And a lot of it is doing alright, and has been doing alright throughout the ‘downturn’.
Visit ➔Why All Those Records (Gaslight Anthem, Crystal Castles, Hole, Etc.) Leaked On Monday
Because PlayMPE--"one of a handful of technologies that record labels use to distribute advance, watermarked albums, to blogs, magazines, and a variety of other publications," reports AbsolutePunk.net--was hacked last week. PlayMPE is the preferred industry vehicle these days as far getting records to critics ahead of the official release date. But all it took was one clever teenager to get himself on the company's distribution list, and the rest was RapidShare history.
Ouch.
Visit ➔Apollo 11 Saturn V Launch
This clip is raw from Camera E-8 on the launch umbilical tower/mobile launch program of Apollo 11, July 16, 1969. [...] The camera is running at 500 fps, making the total clip of over 8 minutes represent just 30 seconds of actual time.
Awesome (in the true meaning of the word):
Visit ➔Design reset
It’s pretty clear this new fangled iPad is a reset in personal computing. I really hope this “reset” echoes throughout the web design community. The best example I’ve seen is from the New York Times.
The iPad has revealed a great deal when it comes to the design of websites. The app store is now full of apps that provide a nicer interface to a web app or site, but most of them don’t actually do anything that couldn’t be done on the web.
The New York Times app is a great example – it’s far nicer to read an article on it when compared to the website (which is full of clutter and visual noise). Now, obviously there’s some features that are iPad (or more specifically touch-interface) specific but there’s a lot that can be learnt in this space I think.
Also, on a similar note:
It seems that more and more Apps are replacing websites in a time when more and more applications are moving to the web. What exactly do we want? Email went from the Application to the Cloud with Gmail, and we love it. The same for Flickr for photos and Google Docs for documents. At the same time Twitter started out as a website but quickly moved to applications on multiple platforms. It is clear that just moving everything to the web isn’t the ultimate solution for everything. That eBay and IMDB app are clear examples.
Now, I don’t believe apps are the ‘death of the website’ as that’s obviously link-baiting hyperbole but there’s a kernel of truth in there…
Visit ➔LCD Soundsystem - Drunk Girls
"Drunk Girls" - taken from the new album "This is Happening" directed by Spike Lee
I never trusted pandas:
Visit ➔The Firefox 4 Download Manager
Alexander Limi elaborates on how Mozilla plans to improve the download manager in Firefox 4:
I wondered how long it would take for iPad UI elements (in this case pop-overs) to make their way over to the desktop. Answer: not very long.
Visit ➔Fun with social APIs: a pair of mini-apps
I’m very happy to say that we’ve recently released two free mini-apps meant to let artists do some fancy social network building on their own sites. They’re both simple PHP/Javascript apps that work with native APIs. One offers tweet-for-track capabilities for Twitter. The other encourages people to become fans on Facebook by offering a free download for all fans using Facebook Connect.
First off, let me just say I really admire what the guys over at CASH Music are doing; it’s great that there’s room on the internet for the intersection of Open Source and music, and that someone’s doing it.
However, am I the only one that has a great distaste with the whole ‘Tweet for a Track’ model? The premise is simple – to get a free MP3 download (or any other content, really) you have to let them post a promotional tweet using your twitter account.
The short term promotional benefits are obvious (lots of people tweeting about you or your content), and it seems like an easy shortcut to “viral” success but that’s just the problem; it’s a shortcut, not the real thing. A real viral success is something that people want to post to their twitter and tell all their friends about, and hence contains the authenticity of a genuine recommendation.
However, forcing someone to tweet (and often with a predefined message) just isn’t going to carry that same authenticity; it’s just going to feel like marketing to anyone reading it (and no one likes to think they’re affected by marketing). Not only that, the person you’ve forced to tweet isn’t going to feel great about inflicting it upon their friends either.
It turns something that should be exciting (getting a bit of content for free) into something that feels, well, icky.
Visit ➔